Access to opera can sometimes feel out of reach, especially for audience members with diverse abilities and accommodation needs. Cincinnati Opera strives to change that with its second annual Access Night at the Opera, on Saturday, June 15, with its season-opening production of Mozart's Don Giovanni.
Amid Cincinnati's diverse cultural landscape, Cincinnati Opera Young Professionals (COYP) is turning heads with its dynamic approach to arts engagement.
Evans sits down with David Charles Abell, his friend for over thirty-five years, to discuss their overlapping careers, shared experiences living in London, and frequent collaborations. They discuss David’s unusual path into the world of conducting, his conducting debut, and how his career has been helped by avoiding some advice he was once given. His best career advice is to “think of all music as storytelling.”
A longtime friend of Evans Mirageas, mezzo-soprano Kelley O’Connor brings life and energy to this episode of “Inside Opera”. Evans and Kelley discuss her unlikely path to becoming an opera singer beginning at the age of five. Kelley discusses her changing voice and how it has influenced the roles she receives. Learn why and how she challenges herself by “stepping out of the box” and her advice for young singers.
Director Matthew Ozawa- director of Cincinnati Opera’s performance of “Romeo and Juliet” - talks with Evans about how he fell in love with opera, how he created his career out of the world of instrumental music and into directing, his interesting heritage, and how he gets people to “play well together”. Learn why “be kind to everybody” is one of Matthew’s directorial mottos and how collaboration is like the art of origami.
Cincinnati Opera's Harry T. Wilks Artistic Director Evans Mirageas interviews Maestro Louis Langrée of the Cincinnati Symphony Orchestra. Maestro Langrée conducts his own orchestra in our 2017 production of La Bohème.
