Though Giuseppe Verdi’s Rigoletto now occupies a secure position in the operatic canon, at its premiere, it was the subject of significant controversy and censorship. The source material for the libretto had already been banned in France: the drama Le roi s’amuse (The King Amuses Himself) by Victor Hugo. Determined to adapt the play into an opera, Verdi fought at every turn to preserve the power of the story and integrity of the source material, with varying degrees of success. Hosts Jane Hulburt, Director of Artistic Operations, and Audrey Chait, Artistic Coordinator, will explore Rigoletto and Verdi’s other hotly contested operatic works alongside featured musical artists.

Admission is free, though seating is limited and reservations are required.
A $2.50 per-ticket processing fee will be assessed for all orders.